A few examples of appraisal values for
A B SANDS SON CO

• William Edward B. Starkweather
  William Edward B. Starkweather American, 1876-1969 (i) Sandor Bernarth Painting a Landscape, 1921 (ii) The Sea From Peggy's Cove
  Estimate: $800  - $1,200
• Lot 2 19th c. sanders.
  Lot 2 19th c. sanders.
• WILLIAM A. GARNETT (1916-2006)
  WILLIAM A. GARNETT (1916-2006) "SAND DUNES, DEATH VALLEY, CALIFORNIA" 1954 Gelatin silver. Artist label verso.
• (Sven) Birger Sandzen (American,
  (Sven) Birger Sandzen (American, 1871-1954) Boulder Canyon, Colorado oil on masonite signed lower right Provenance: Purchased directly from the artist circa 1953 in Lindsborg, Kansas by the current owner's father-in-law, pastor of the Bethany Lutheran Church. It has remained in the family and was thus inherited by the present owner. Born in Bildsberg, Sweden, Sandzen had a long distinguished career as an art professor at Bethany College in Lindsborg, Kansas and also as an Impressionist landscape painter. His work evolved from Pointillism to a very personal style of bold color with masses of paint, akin to that of Van Gogh. His interest in mountain landscapes extended as far as the desert Southwest, and he became a frequent visitor to Santa Fe and Taos as the art colony was emerging there in the early 1900s. 19 1/2" x 23 1/2"
• SANDOR BODO O/C, WINTER LANDSCAPESandor
  SANDOR BODO O/C, WINTER LANDSCAPESandor Bodo (Hungarian/Tennessee, b. 1920) oil on canvas winter landscape depicting a house and barn amid a grove of ice encrusted trees, the roofs and grass coated with snow. Signed lower right, "S. Bodo". Painted carved wood frame with swept edges and elaborate corner moldings. 23 1/2" x 36 1/2" sight, 31" x 43 1/2" framed. Provenance: the estate of Mary Alice Clements, Nashville, TN. Condition: Overall excellent condition
• BLACKSTONE & CO. AT ATLANTIC CITY.Blackstone,
  BLACKSTONE & CO. AT ATLANTIC CITY.Blackstone, Harry (Henry Boughton). Blackstone & Co. at Atlantic City. Atlantic City: Freo Hess & Son, ca. 1923. Blackstone stands at the center of a corps of costume-clad assistants on the boardwalk at Atlantic City. 10 x 8”. Two corners clipped, folds and wear; fair.
• OIL ON MASO - Gull Over Sand Dunes
  OIL ON MASO - Gull Over Sand Dunes by Fred MacNeill in gold edged wood mitered frame burlap mat cream liner SS: 13'' x 17'' OS: 22 3/4'' x 26 1/4'' fine condition.
• BRIAN SANDERS (BRITISH, B. 1937)
  BRIAN SANDERS (BRITISH, B. 1937) "BOY SCOUTS"Brian Sanders (British, B. 1937) "Boy Scouts" Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original appeared on the Fleetwood First Day Cover for the Great Britain Boy Scouts stamp issued March 24, 1982. Probably the world's most famous youth movement is the 1982 marked its 75th anniversary and anniversary of the birth of its founder, Robert Baden-Powell. By the year 1908, Powell's experiences in the British Army convinced him that British boys needed far more physical training and experience in outdoor life. Having previously written a military manual for British recruits called "Aids to Scouting," Powell decided to rewrite his manual for younger readership. The new version, entitled Scouting for Boys, became a tremendous success. Practically overnight, thousands of Scout Patrols sprang up throughout Britain to try out Powell's fun and adventurous ideas. Powell's original intention was that Scouting should be for boys between the ages of eleven and eighteen. But younger boys, seeing the fun and adventure older brothers and friends were having as Boy Scouts, began asking to join too. Thus, in 1914 Powell announced his plans for "Junior Scouts," since changed to Cub Scouts, to include boys under eleven years of age. Since then, numerous other sub-groups of the prestigious Scout movement have been added. And today, the excitement and magic of Scouting has never been stronger, for there are now over fifteen million Scouts, ages eight to twenty, around the world, with well over 650,000 in the United Kingdom alone! Image Size: 12 x 14.25 in. Overall Size: 13.75 x 19 in. Unframed. (B06249) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• US WWII Letter Archive of PFC Justin
  US WWII Letter Archive of PFC Justin Sands and Bombing Photos Justin Sands' letters post cards pictures patches and insignia and two very early USMC paratrooper photos; also included in this group are a box of aerial recon photos. Condition: Very good.
• LESLIE PRINCE THOMPSON, (AMERICAN,
  LESLIE PRINCE THOMPSON, (AMERICAN, 1880-1963), SAND DUNES, 1902, OIL ON CANVAS, 24 X 30 IN., FRAME: 36 X 42 IN.LESLIE PRINCE THOMPSON, (American, 1880-1963) Sand Dunes, 1902, oil on canvas signed and dated Leslie P. Thompson 1902 lower right; titled verso 1902, oil on canvas Dimensions: 24 x 30 in., frame: 36 x 42 in. Provenance: Exhibitions: 1902 Copley Society Exhibition, Boston, Massachusetts (label verso). Condition: Lined; otherwise in fine condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Ammi Merchant Farnham (California,
  Ammi Merchant Farnham (California, 1845-1922), Sandy Beach, signed lower right "A.M. Farnham", oil on canvas, 12 x 30 in.; original painted wood and composition frame.
• BERNARD PLOSSU, PHOTOGRAPH Bernard
  BERNARD PLOSSU, PHOTOGRAPH Bernard Plossu (Vietnamese, born 1945), "White Sands, NM", 1981, color fresson print, signed, titled and dated on verso, 7" x 9.25" (sight), 13"h x 23"w (frame)
• 2 Don Stone Photos Billy Southworth
  2 Don Stone Photos Billy Southworth Warren C. Giles & George Sisler.8'' x 10''E
• Henry William Banks Davis RA (1833-1914)/Pas
  Henry William Banks Davis RA (1833-1914)/Pas de Calais, Sand Dunes/inscribed on the reverse/oil on board, 34cm x 42cm
• Paul Grimm (1891-1974 Palm Springs
  Paul Grimm (1891-1974 Palm Springs CA) Sandwaves (sic)
• UNKNOWN C.1890: MAN RESTING IN
  UNKNOWN C.1890: MAN RESTING IN SAND DUNES Cyanotype print. Provenance: Property from the Collection of Gerald Kornblau. 4 3/8 x 7 in. 11 x 13 in. (frame).
• James Everett Stuart California
  James Everett Stuart California (1852-1941) SAND DUNES-POINT BONITA MONTEREY CALIFORNIA #599 oil on canvas framed signed & dated: lower left J.E. Stuart May 10 1909 H16'' W24'' Provenance: Manitou Galleries 16 March 2007 Lot 158. Upstate South Carolina private collection. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• JOHN F. SLOAN (1871-1951), BANDITS
  JOHN F. SLOAN (1871-1951), BANDITS COVE, ETCHING, 1920, FRAMED: 15 X 12 INJohn F. Sloan (1871-1951), Bandits Cove, Etching, 1920, Framed: 15 x 12 in
• A watercolour ''On the sands''
  A watercolour ''On the sands'' signed and titled bottom left ''R.Douglas'' 35 x 25 cm.
• CIVIL WAR: MANUSCRIPTS, PHOTOGRAPHS,
  CIVIL WAR: MANUSCRIPTS, PHOTOGRAPHS, AND POCKET BIBLE BY AND BELONGING TO PRIVATE ALBERT I. SANDS, DATED 1862-1868, ITEMS INCLUDE: EIGHT HAND WRITTEN LETTERS BY PRIVATE ALBERT I. SANDS OF CAMBRIDGE, MASSACHUSETTS WHO ...CIVIL WAR: Manuscripts, photographs, and pocket bible by and belonging to Private Albert I. Sands, dated 1862-1868, items include: eight hand written letters by Private Albert I. Sands of Cambridge, Massachusetts who served in the Massachusetts 38th Infantry Regiment, Company F, seeing action at the Battle of Port Hudson and other conflicts ranging from 1862-1863, letters are dated 1862-1863, 1868, addressed to various family members, discussing pleasantries, Pvt. Sand's actions during the war, sickness, death, troop movements, battles, and other topics, each has been transcribed in type, all are ink on paper, unframed and in sleeve protectors, wear consistent with age and use including toning, creases, staining and expected loss, largest: 10" h. x 8" w.; 19th C. pocket Bible New Testament, American Bible Society, New York, 1862, bound in leather side cover with strap, printed on thin paper, inscribed on the second page " Albert I. Sands, Cambridge Mass, Co. F. 38th Regt. Mass Reg. Gen. Emarys Brigade Banks Expedition New Orleans La.", also included on the interior cover is a list of forts believed to be where the bible was brought as well as other written text throughout the bible, leather is scratched and worn, most pages are intact with minor rips in the internal cover, 3 1/4" h. x 2 3/4" w. x 3/4" d.; and collection of 19th C. photographs of Albert Sands, including: one ambrio-type photograph of Albert Sands in Union soldier uniform, encased in a hinged box with velvet, copper and glass enclosed, the copper has symbols of cannons, drums, eagles, and flags, lid is broken off with hinges still attached to main body, ss: 2" h.x 1 1/2" w, one tin-type photograph of Sands in uniform, encased in a thin copper layer with floral engravings, ss: 2" h.x 1 1/2" w, three carte-de-vistes photographs depicting Sands as a Union soldier, two in the same position and marching uniform, taken by Charles G. Danforth, one in an over coat uniform, taken by Haley& Metgalf Photographers, all three have the name "Albert I. Sands" written in ink on the back, ss: 3 3/4" h. x 2 1/4" w., one carte-de-vistes photograph depicting a young boy in a dress posing next to a chair, the back is inscribed "3-4-84, We think that this is A. I. Sands", ss: 3 3/4" h. x 2 1/4" w, one carte-de-vistes photograph of a suited man with chops and a bow tie, written on the back is "A. I. Sands" , 8 3/4" h. x 6 3/4" w
• CHRISTOPHER BURKETT: "SUNSET GRAND
  CHRISTOPHER BURKETT: "SUNSET GRAND SAND DUNES, COLORADO"circa 1980 Cibachrome print signed in matte 14 ½ x 19 ¼ inches, sight Provenance: Photography West Gallery, Carmel 14 1/2 x 19 1/4 inches, sight Condition:
• Leonard Baskin (American/New Jersey
  Leonard Baskin (American/New Jersey 1922-2000) "After Hans Bol" etching on Arches paper pencil-signed and number "4/5" with the artist's biography en verso sight 21 3/4 in. x 14 3/4 in. attractively framed; together with Joseph M. Glasco (American/Pennsylvania 1925-1996) "Figure" etching on paper pencil-signed dated "76" titled numbered "A/P" and inscribed "For Bob" with a "Richard Gallery Galveston TX" label en verso 31 in. x 20 3/4 in. matted; and Jedd Garet (American b. 1955) "Night Boy" color lithograph on paper pencil-signed dated "83" with an artist's label en verso 29 5/8 in. x 39 3/4 in. unframed. Provenance: Sold for the benefit of the Museum of Fine Arts Houston.
• Sandor Bernath (American, 1892-1984)
  Sandor Bernath (American, 1892-1984) Two watercolors: The Schooner Progr
• John Anthony Conner (1892-1971
  John Anthony Conner (1892-1971 Los Angeles CA) Low Dunes near Palm Springs
• Leonard Richmond British, 1889-1965
  Leonard Richmond British, 1889-1965 Sand Dunes, Pas-de-Calais
  Estimate:$4,000-$6,000
• BRIAN SANDERS (B. 1937) "BOYS'
  BRIAN SANDERS (B. 1937) "BOYS' BRIGADE" ORIGINALBrian Sanders (British, B. 1937) "Boys' Brigade" Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork originally appeared on the Fleetwood First Day Cover for the Great Britain Boys Brigade stamp issued March 24, 1982. In October 1883 William Alexander Smith laid the foundation for what is now the oldest uniformed voluntary boys' organization in the world ... the Boys' Brigade. From the outset, the Boys' Brigade was a church based organization. Its aim was to take thousands of unsupervised boys off the street corners of Glasgow and help them become followers of the Christian faith through self-control, reverence and a sense of responsibility. This new idea soon became the forerunner of all the uniformed youth organizations to follow. When the success of the first Brigade Company was evident other churches in Glasgow quickly took up the idea, and thereafter the organization spread rapidly among all denominations. In November 1885 the Boys' Brigade spread to London where the first British Companies were started, followed soon by Companies in Wales and Ireland. By 1893 the total membership of the Boys' Brigade had surpassed twenty-six thousand boys. One of the greatest innovations of the Boys' Brigade is camping. Very few boys or families had enjoyed the delights of camping outdoors until the Brigade began the tradition in 1886. From the first Brigade Company of fifty boys long ago in 1883, the Boys' Brigade has grown to include a total membership of 184,000 in the United Kingdom and over 400,000 in other countries. Image Size: 12 x 14 in. Overall Size: 13.25 x 19.75 in. Unframed. (B06221) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• DENNY SONKE WINTERS (NY/CA/ME/MI/MEXICO,
  DENNY SONKE WINTERS (NY/CA/ME/MI/MEXICO, 1905-1985) Tri-Color Abstract with Figures, oil with sand and textiles on masonite, signed lower right, unframed, 22 1/4" x 40". Minor flaking.
• John Austin Sands Monk, American,
  John Austin Sands Monk, American, b&w etching, Sheep Taking cover, 7" x 10 1/2", 1883, w/another b&w etching, publ by C. Klackner, NY Estimate $75-125
• (Sven) Birger Sandzen (American,
  (Sven) Birger Sandzen (American, 1871-1954) "Summer Landscape" lithograph pencil signed and titled in the margin, also signed in the plate 9 3/4" x 11 7/8"
• NANCY BRAGINTON-SMITH (AMERICAN,
  NANCY BRAGINTON-SMITH (AMERICAN, B. 1956) 12" x 16" canvas "Sand Diggers." Oil on canvas, a heartwarming sea beach scene with a mother and child, signed lower right corner, titled, signed and dated '97 one the back; framed in gilt frame, overall 16 ¾" x 20 ¾". Provenance: property of a lady, Squirrel Hills, Pittsburgh, PA, prominent private collection, by descent in the family to the current owner.
• 1 piece. Autograph Letter Signed.
  1 piece. Autograph Letter Signed. Sand, George. Nohant, April 10, 1863. 4 pp., 8vo. On Sand's "GS" blind-stamped stationary. Clean. To Therese Bentzon, a protege of Sand's, future feminist author, daughter of Sand's longtime friend Count d'Auer.
• Morris Henry Hobbs (American/Louisiana
  Morris Henry Hobbs (American/Louisiana 1892-1967) "The Broken Sandal" etching on paper pencil-signed and titled edition of 50 sheet 10 3/4 in. x 8 in. image 9 in. x 6 in. attractively matted and framed.
• PHOTOGRAPH, BRETT WESTON Brett
  PHOTOGRAPH, BRETT WESTON Brett Weston (American, 1911-1993), "White Sands, N.M.," 1949, gelatin silver print, Gamma Photo Agency (New York, NY) stamp verso, titled verso in artist's hand, later printing circa 1950, image: 7.75"h x 9.75"w, overall (with mat/unframed): 16"h x 20"w
• BRIAN SANDERS (B. 1937) "CONSTRUCTION
  BRIAN SANDERS (B. 1937) "CONSTRUCTION SITE, ASIA"Brian Sanders (British, B. 1937) "Construction Site in Asia" Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Great Britain 31p British Council stamps issued September 25, 1984. This artwork depicts a joint construction effort in Asia and typifies the activities of the British Council. The British Council strives to help all nations of the world as they develop their societies and economies. Building projects are only a beginning, as the Council also organizes and operates training programs in the field. Image Size: 12 x 14 in. Overall Size: 14.25 x 18.5 in. Unframed. (B08974) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Charles Drew Cahoon American 1861-1951
  Charles Drew Cahoon American 1861-1951 Sand Dunes oil on panel signed ''C.D. Cahoon'' lr 9 x 15 3/4 in. framed Estimate $ 2 000-4 000 Surface grime frame wear. Paintings have not been examined by blacklight.
• KLEIN Sandor C. (American 1912-1995):
  KLEIN Sandor C. (American 1912-1995): Illustration of a Young Couple sitting at the County Club Bar Post Tennis Match Oil/Canvas 16'' x 25'' signed lower left Sandor gilded frame with wear 17 1/2'' x 26 1/2''.